On August 23rd, the members of Meravelha will be presenting an all-new show “The Road Most Traveled” at the IBERICA Early Music festival to be held in Boston.
The Road Most Traveled features music from several stops along the ancient pilgrimage route to Santiago de Compostela and explores the both the lighter and more ponderous aspects of the religious journey, culminating in the celebration of arrival.
Several friends are performing in BEMF concerts this year. These will be great concerts, please attend if you can. There is a lot of variety here so there should be something for everyone.
On Sunday I’ll be vending as a part of Harvard Square Mayfair. I’ll be on Church Street under a red tent near the bead store and Border Cafe. Please come and check out my cool new setup. There will be great food, vendors, music, and entertainment for the whole family.
The weather will be absolutely beautiful this weekend so please come out and enjoy all that Cambridge and Somerville have to offer. The hours both days are 12-6.
I wish I’d received this information before I sent out my email blast and did my prior post. But, I didn’t . I got it today. So I’m posting it now so you can all see the details I didn’t have before. Enjoy. And please come, this will be a really good concert.
A celebration of the resilience of the human spirit through the centuries, in music by Messiaen, Shostakovich, Poulenc, Penderecki, Tippett, and more.
Sunday, April 21, 3pm
Mission Church
1545 Tremont St.
Mission Hill, Boston
With Eliko Akahori (piano), Lilit Hartunian (violin), Rafael Popper-Keizer (cello), Amy Avocat (clarinet)
Tickets: $20 general admission / $15 for students and seniors available at the door)
Sunday, April 28, 3pm
First Parish (UU)
75 The Great Road, Bedford
With Lilut Hartunian (violin), Elizabeth Connors (clarinet), Bradford Conner (piano)
Suggested donation: $20 / $15 students & seniors (a portion of proceeds will benefit UUSC-UUA Haiti Relief Fund)
Music composed in times of oppression and persecution often possesses a singular resilience that inspires and gives witness to the courageous dimension of the human spirit. In this concert The Seraphim Singers presents choral and instrumental works composed under conditions of religious persecution in Renaissance England, slavery in 18th and 19th century America, the Holocaust during World War II, and totalitarianism in the Soviet era.
Tickets (available at the door): $20 general admission /$15 for students & seniors
Music composed in times of oppression and persecution often possesses a singular resilience that inspires and gives witness to the courageous dimension of the human spirit. In this concert The Seraphim Singers present choral and instrumental works composed under conditions of religious persecution in Renaissance England, slavery in 18th and 19th century America, the Holocaust during World War II, and totalitarianism in the Soviet era. Featuring:
Poulenc: Un soir de neige
Tippett: Selections from A Child of Our TIme
Messiaen: Selections from Quatuor pour la fin du temps and choral works by Shostakovich, Penderecki, Stanhope, Zuckerman, Goudimel, Sweelinck, and Tallis
As some of you may have noticed, New England has had some snow lately. Notably last weekend and this most recent one. This has had some impacts on things like travel, collapsing houses, high tides, massive powers outages, etc.
On a less massive scale, it also caused the cancellation or postponement of all sorts of events. Among them were concerts that my friends and I were supposed to perform in. Ah, winter.
Hi folks. It’s that time again. Spring music making in Boston is almost upon us. I’ve been receiving a lot of mail lately about audition opportunities and upcoming concerts. Some of these I’ll repost individually later as the date of the concert approaches.
Regular readers around here know that Geoff and I are huge fans of The Bloggess. We also happen to think that Neil Gaiman is pretty awesome and that Amanda Palmer is pretty cool.
I signed up to work an event featuring Nick Flynn and Ty Burr and who was more surprised than me when Amanda Palmer and Neil Gaiman showed up? Bloggess? This is for you.
Most of us think of the sound of poverty, or of being poor, as the voice of the homeless guy who sings out his need for spare change near the subway station or the bark of the homeless dog seeking scraps for supper. For many of us this noise fades into the background of every day life.
For American the fear of poverty inches closer every day with some of the impending financial decisions our government has to make in the next few days to stave off some serious cuts that will destroy the lives of many of the poorest and many of the middle class in the country. But that’s an American problem.